2025-26 Beautiful Days Press Subscription
Subscribe to BDP's second series of publications, forthcoming from 2025 through the end of 2026. Subscribers receive 6 full-length books, 2 chapbooks, and all Works & Days issues for a more than 30% discount! Subscriptions will be mailed twice a year, in winter and summer. Publications will include:
Visions Sans Seraphim by Jed Munson
Bed by Wu Ang (translated by Cecily Chen)
The Blackbird by Christian Schlegel
Gravity Siren by Monroe Lawrence
Goes on now except) by Ryan Skrabalak
The Cuts by Julia Drescher
The Fold by Cass Eddington
Not Guilty by Jeremy Hoevenaar
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Jed Munson is a Korean American writer from Wisconsin, living in NYC. His publications include the essay collection Commentary on the Birds (Rescue Press, 2023) and four chapbooks of poetry, including Portrait with Parkinson’s (Oxeye Press, 2023). His work can be found in Conjunctions, DIAGRAM, Poetry Northwest, Tagvverk, and Vestiges, among others.
Wu Ang (b. 1974) is a Chinese poet, writer, and journalist. She is perhaps best known for her association with the “Lower Body Poets,” a group of experimental poets active in Beijing in the late 90s/early 2000s, which believed in the intimate connection between poetic language and carnality and desire.
Cecily Chen is a writer and translator from Beijing, China. She is a PhD candidate at the University of Chicago, where she works on experimental Asian American poetics. She is also the poetry editor at Chicago Review.
Christian Schlegel is a poet born and raised in Pennsylvania. He has written two other books: HONEST JAMES (The Song Cave, 2015) and RYMAN (Ricochet, 2022). His poems and criticism have appeared in Lana Turner, the Kenyon Review Online, and the Cleveland Review of Books. Chris has worked as a teacher, is now studying to be a lawyer, and lives in New York City.
Monroe Lawrence (he/they) is a Canadian poet, and author of the poetry book About to Be Young and a chapbook, Nice,. His poetry has won the Robin Blaser Prize for Experimental Writing and the Kim Ann Arstark Memorial Award. They have published writing in The Capilano Review, Annulet: A Journal of Poetics, The Brooklyn Review, Mercury Firs, Prelude Mag, Black Sun Lit, Flag+Void, Best American Experimental Writing, and other places. They hold an MFA from Brown University and are a PhD candidate at the University of Denver.
Ryan Skrabalak most recently wrote National Lube (speCt!, 2024), and the chapbook The Orchids (above/ground, 2025). He lives in “Kingston, New York” and edits Spiral Editions, a poetry press and occasional tape label.
Julia Drescher has one full-length poetry collection, OPEN EPIC, from Delete Press, as well as chapbooks from above/ground press, New Lights Press, & Ypolita. Her work has also appeared in periodicities, Entropy, The New New Corpse, Hotel, Aufgabe, Likestarlings & Luigi Ten Co. She edited a selection of Beverly Dahlen’s essays & talks, SOMETHING/NOTHING, just out from Further Other Book Works which she runs with C.J. Martin. She lives in North Carolina.
Cass Eddington is an artist, radical educator, and ecological landscaper originally from Utah. Author of chapbooks Vernal Hurt (Magnificent Field) and TRANSIT (Spiral Editions), they hold a PhD in English and Literary Arts from University of Denver and are the founder of Vocational Poetics -- a virtual teaching and learning platform. Through re/visionary, they create place-based collaborations in so-called "Denver" where they live with their dog Jupiter, mad and disarmed by the tall grasses.
Jeremy Hoevenaar lives in a barrel he can wear to the marketplace. He is the
author of Our Insolvency, Cold Mountain Mirror Displacement, and Adaptations of Pelt and Hoof.
